{"id":2290,"date":"2016-08-22T10:00:05","date_gmt":"2016-08-22T07:00:05","guid":{"rendered":"http:\/\/www.wearewhatwedo.gr.com\/en\/?p=2290"},"modified":"2016-08-22T17:19:52","modified_gmt":"2016-08-22T14:19:52","slug":"colourful-alphabet-painter-giannis-bekiaris","status":"publish","type":"post","link":"https:\/\/www.wearewhatwedo.gr.com\/en\/2016\/08\/colourful-alphabet-painter-giannis-bekiaris\/","title":{"rendered":"The colourful Alphabet of painter Giannis Bekiaris"},"content":{"rendered":"

We went to his sanctuary.
\nWhen you enter the place where an artist creates, it feels as if you have stepped into the holiest of holies in a temple.<\/span><\/p>\n

You don\u2019t want to make any noise. You don\u2019t want to disturb anything. Probably it\u2019s this awe-inspiring feeling combined with an aura of mysticism that permeates the space.<\/p>\n

It is a \u201cbee colony\u201d of new artists, the Absorb \u0391rts. A communal artistic house where everyone can create smoothly in a seamless and organic way.<\/p>\n

-\u201cHere are housed all my art works\u201d.<\/strong><\/p><\/blockquote>\n

I was really inspired by this line: \u201cHere are housed all my art works.\u201d Indeed, a roof over the heads of the art works, exactly as babies have their duvets.<\/p>\n

He hugged me whispering \u201cThank you so much for coming\u201d in my ear, enunciating every syllable to make sure that the words were not lost in the air.<\/span><\/p>\n

My gaze rested on a piece of art and I jumped backwards as if an electric current had passed through me.<\/span><\/p>\n

\"giannis-bekiaris-portrait-1\"

From that moment I just say, “Gianni’s purple”…<\/p><\/div>\n

-\u201cThis is B!\u201d I said in a very enthusiastic way.
\nHe paused, and he replied with one word.
\n-\u201cYes.”
\nAnd, yes, indeed it was B, with a wonderful purple dress. A stunning purple. Gianni\u2019s purple.
\nI realised that there was a story behind it.<\/p>\n

-“I will tell you afterwards”, he said.<\/p><\/blockquote>\n

I realised when I was rather young that when people say: \u00abI will explain it to you later\u00bb, it\u2019s better if you don\u2019t ask them again to tell you what they had in mind.\u00a0<\/em>
\nBecause most of the time, they simply don\u2019t want to share, they just say that to \u00abwin\u00bb some time and prevaricate. Unless they really want to share it with you at a specific time, under specific conditions, in their own way.\u00a0<\/strong><\/em><\/span><\/p>\n

If they want to share, they will share.<\/strong>
\nAnd he did.<\/p>\n

We were seeing all his art works one by one, some of his art work was finished, some in progress.<\/span><\/p>\n

\"giannis-bekiaris-two-women\"

Two bodies, two faces, infinite souls.<\/p><\/div>\n

I started gazing at his portraits. The figures of Giannis, his portraits, his love towards the female sex, towards our duality and complexity. You have the feeling that all his portraits hide a secret. A secret that they want to share with you. And everybody \u201chears\u201d his own secret. As many secrets as all the hidden parts of the female gender.<\/strong>
\n<\/span><\/p>\n

People continued coming and going and I asked him at some point:<\/p>\n

\n

-\u201cWhen did you start painting?\u201d<\/span><\/p>\n<\/blockquote>\n

Somebody interrupted us, but he answered while trying to keep his glasses in place.\u00a0<\/span><\/p>\n

\n

-\u201cI started painting when you started painting.\u201d
\nI looked at him, really puzzled. And he continued:
\n-\u201cEverybody paints from the moment he holds a colored marker or a pen in his hands. We stop painting when we start censoring ourselves, when somebody points out to us a lack of talent, or when we persuade ourselves that we don\u2019t paint properly<\/strong>. This is one of the mistakes of our educational system, but this is another discussion.\u201d<\/span><\/p>\n<\/blockquote>\n

There is something ethereal about Giannis. But at the same time he is solid, compact and precise. As if you had placed parquet flooring on a cloud. He flies, but he knows in which direction, with what speed, and he always looks behind him.<\/strong> He has a schedule. In the mornings his art takes a therapeutic shape and when he finishes with his wonderful \u201ckids”, he isolates himself in his sanctuary. He paints but lately he also creates other art objects; he chisels the wood, he gives shape to it and he transforms it to useful objects.<\/span><\/p>\n

He also moved to London, from Athens. One of many who did the same. But he holds Greece in himself, and this is something I discovered from his lights and his colours. They have something blinding. They have the light of the South.<\/p>\n

 <\/p>\n

\"giannis-bekiaris-brushes-colours\"

“…And I thought that they were getting mixed the same way the lives of people get wet and tousled.”<\/p><\/div>\n

I asked him about the colours as he was mixing a paintbrush with water. And I thought that they were getting mixed the same way the lives of people get wet and tousled.<\/p>\n

\n

-\u201cI think about the colours before I start painting, I see them inside me, but I also change my mind as a work progresses.\u201d<\/strong><\/span><\/p>\n<\/blockquote>\n

This phrase \u201cI see them inside me\u201d rang a bell and reminded me of what the composer Evanthia Rempoutsika once told me, that she \u201chears the music inside her.\u201d
\nThe art is \u201cinside us.” \u201cInside us\u201d all the work is done. Inside the artists the art is being gestated. And when they finally create, it is simply the moment of birth, way after all the painful and grinding gestation.<\/span><\/p>\n

At some point I asked him about the artists of the 21st century:<\/p>\n

\n

-\u201cWhat\u2019s your opinion about all these artists of the modern art, that they might just throw a paint on a canvas, or just presenting a white canvas?” (we saw that at Tate)<\/p>\n

-\u201cEverybody just creates what he can, some people probably they can\u2019t\u201d, he said while he was pushing back his eyeglasses, to rivet them.<\/p>\n

-This amazing teacher of mine in New York, Roxana Stuart used to \u00a0say: \u201cTo consider something as a form of art, a simple, unrefined way is to judge if what you hear\/see, etc. can be done from everybody. If it can\u2019t, if it includes a level of rarity and difficulty, probably it is on the right path to be considered art.<\/em> Do you agree?\u201d<\/p>\n

-There is a point here, he said.<\/p>\n<\/blockquote>\n

\"giannis-bekiaris-naked-portrait\"

One or the work arts of Giannis Bekiaris can be found in Mykons, at Skoufa Gallery Mykonos until the end of October 2016<\/p><\/div>\n

And then a beautiful discussion started in between some snacks, some drinks, and the constant coming and going of people. Until we were interrupted by his goddaughter saying “I want to pee”.
\n“This is art,” I told him. “This little girl.”
\nHe nodded, trying to return his eyeglasses onto his nose. And at that very moment I realized that he tries to prop up his eyeglasses as often as he smiles.\u00a0<\/span><\/p>\n

And as I was leaving, I was sure that we will see much more from Giannis Bekiaris. <\/span><\/strong><\/p>\n

The future is being painted at this very moment and it is so promising.<\/span><\/strong><\/p>\n

 <\/p>\n

The colourful Alphabet of Giannis Bekiaris<\/strong><\/p>\n

I gave Giannis these 24 verbs and with his answers he summarises, his alphabet, his personal code; his great wonderful colourful world.\u00a0<\/span><\/p>\n

A.<\/span><\/strong><\/p>\n

I cherish the morning wa<\/strong>ke up, with the first crack of dawn<\/p>\n

B.<\/span><\/strong><\/p>\n

I suffer when I have something on my mind but I can’t do it at that precise moment.<\/span><\/p>\n

\u00a0<\/span>C.<\/span><\/strong><\/p>\n

\u201c<\/span>I grow older the way I lived<\/span>\u201d\u00a0<\/span>said onc<\/strong>e my wife \u00a0and I turned it into my life motto. Because this is the only way for someone to appreciate the present without worrying about the future.<\/span><\/p>\n

D.<\/span><\/strong><\/p>\n

I tame my d<\/strong>yslexia.<\/span><\/p>\n

E.<\/span><\/strong><\/p>\n

I trust pe<\/strong>ople.<\/span><\/p>\n

F.<\/span><\/strong><\/p>\n

I paint with yearning, with patience and spontaneity trying to get out of the convenient shell of<\/strong> my prudence, as Kazantzakis once said.<\/span><\/p>\n

G.<\/span><\/strong><\/p>\n

I find peace in Vouta and in Apeirantho.<\/span><\/p>\n

H.<\/strong><\/p>\n

I cure the old objects that I come across. I bring th<\/strong>em back to life.<\/span><\/p>\n

\u0399.<\/span><\/p>\n

\u0399<\/strong> please my desires.<\/span><\/p>\n

J.<\/span><\/strong><\/p>\n

I am filled with pride at the achievements of people important to me.<\/span><\/p>\n

K.\u00a0<\/span><\/strong><\/p>\n

I feel sorry for people who punish themselves.<\/span><\/p>\n

L.<\/span><\/strong><\/p>\n

\u0399 rarel<\/strong>y censure somebody.<\/span><\/p>\n

M.<\/strong><\/p>\n

I legalise m<\/strong>y right \u03c4\u03bf rest.<\/span><\/p>\n

N.<\/span><\/strong><\/p>\n

I smell my materials and n<\/strong>ew techniques.<\/span><\/p>\n

O.<\/span><\/strong><\/p>\n

\u0399 banish no<\/strong>body and nothing. Whatever happened, happened for a reason.<\/span><\/p>\n

P.<\/span><\/strong><\/p>\n

\u0399 beguile myself into new experiences and ideas.<\/p>\n

Q.<\/span><\/strong><\/p>\n

\u0399 reflect upon the greatness of nature.<\/span><\/p>\n

R.\u00a0<\/span><\/strong><\/p>\n

\u0399 stick my head in the sand less and less.<\/p>\n

S.<\/strong><\/p>\n

I am lucky to have s<\/strong>o much luck.<\/p>\n

T.<\/span><\/strong><\/p>\n

\u0399 am want<\/strong>ing of a strong imagination.<\/span><\/p>\n

U.<\/span><\/strong><\/p>\n

\u0399 <\/span>\u201c<\/span>envelope<\/span>\u201d<\/span> whoever or whatever attracts my attention<\/span><\/p>\n

V.<\/span><\/strong><\/p>\n

I smile more.<\/span><\/p>\n

W.\u00a0 \u00a0<\/strong> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/p>\n

\u0399 fault myself before anybody else.<\/span><\/p>\n

X-Y-Z<\/b><\/span><\/p>\n

\u0399\u00a0 beautify<\/strong> in the sense that I make everyday something beautiful<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\"giannis-bekiaris-portraito\"

His women always hide a secret…<\/p><\/div>\n

\n
<\/div>\n
\n

The Favorite World of Giannis Bekiaris<\/strong><\/p>\n

5 painters:<\/em> Rembrandt, Jenny Saville, Willem De Kooning, William Turner and Claude Monet<\/p>\n

5 movies:<\/em> The Weeping Meadow, One Flew Over the Cuckoo’s Nest, \u03a4his is England, Facing Ali, Rush<\/p>\n

5 artists:<\/em> Auguste Rodin, Diego Velazquez, Eleni Karaindrou, Amy Winehouse, Giorgos Xylouris<\/p>\n

5 books:<\/em> Captain Michalis by Nikos Kazantzakis, Interviews with Francis Bacon by David Sylvester, The Art of Auguste Rodin, Marabou, Traverso, Pousi by Nikos Kavvadias, The Saviors of God by Nikos Kazantzakis<\/p>\n

Future plans:<\/em> His next solo exhibition in London<\/p>\n

Ideal place to create:<\/em> At his atelier-wherever is that- very early in the morning<\/p>\n<\/div>\n

<\/div>\n<\/div>\n
<\/div>\n
\n
\n
\n
\n
\n
\n
\n
\n
\"giannis-bekiaris\"

Giannis while creating…<\/p><\/div>\n

Info:<\/strong><\/p>\n

\n

He was born in Athens in 1981. He studied Painting at the School of Fine Arts in the Aristotelian University at Thessaloniki, graduating in 2005 with Honours. In 2006, he received his Master\u2019s degree in Painting from Christ Church University College, Kent, UK.<\/p>\n

He lives and works in London. Works of the artist can be found in private collections..<\/p>\n<\/div>\n

-Two of\u00a0the work arts of Giannis Bekiaris can be found in Mykons, at Skoufa Gallery Mykonos until the end of October 2016. For more infos click here<\/a><\/span><\/p>\n

-Website:\u00a0www.giannisbekiaris.com<\/a><\/p>\n

<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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